1. St. John Nepomuk (neh-poh-mook) is an intriguing saint who appears in a thought-provoking number of Colonial Spain art galleries. It is curious to wonder how this Bohemian saint showed up 200-400 years later in portraits, statues, and paintings in New Spain!

    A Bit of History
    Conflict with the King of Bohemia
    St. John Nepomuk was born in a town called Pomuk (now Nepomuk) in Bohemia (modern Czech Republic) in 1345. He later became a priest in Bohemia and was assigned to the cathedral in Prague. This 40-something year old priest ran into some trouble with the King of Bohemia, King Wenceslas IV. King Wenceslas strove to be a devout Catholic; he would even have an illuminated Bible created: The Wenceslas Bible—close to (plausibly overlapping) the time of conflict with Fr. John Nepomuk!  While he professed to be a devout Christian, he also pressed for significant influence within the Church. He was not happy when Fr. John of Nepomuk resisted his power plays. 

    Pressure to Break the Seal of Confession
    Later, in 1393, Fr. John Nepomuk heard the confession of the King's 17-ish-year-old wife, Sophia of Bavaria. This really irritated the already-annoyed king. He demanded to know what his wife said in the confessional, but, Fr. John Nepomuk obeyed the strict rule of confidentiality. King Wenceslaus tried torturing the good priest—no to avail. Finally, this not-so-good King Wenceslas had the faithful priest thrown into the Vltava River in Prague, where John Nepomuk drowned. Accounts assert that five glowing stars shone at the spot. Soon, miracles were reported and the steadfast priest was quickly recognized by the Bohemian people as a saint. (He was officially canonized in 1729.) 

    St. John Nepomuk
    Bandera Natural History and Art Museum—New Spain Art Hall
    Symbols of the Painting: 
    • The 5 stars above St. John Nepomuk's head symbolize the stars that shone over the site of his drowning.
    • The cross symbolizes his love for Jesus and his devotion to the Faith.
    • The palm branch identifies him as a martyr for the Faith. 

    ¡¿Why is St. John Nepomuk so Popular in Colonial Spain?!
    Again ... why would this medieval priest gain such popularity in New Spain? 
    Here's one strong possibility: historian, archivist, writer, geographer, college instructor, researcher, editor, and Jesuit priest, Fr. Bohuslav Balbín compiled a book on the life of John of Nepomuk in 1670. This was the era of the Counter-Reformation, and the story of Fr. John Nepomuk's devotion-despite-death greatly inspired many who remained Catholic. It seems he became somewhat of a hero for those defending the Faith. And, perhaps due to the credibility of the Jesuit priest and author, Fr. Bohuslav Balbín, the Jesuits felt a renewed inspiration from the book and began to embrace John Nepomuk as a perfect role model for priests and all Christians. Perhaps when the many Jesuit missionaries arrived in Colonial Spain, they promoted art pieces of John Nepomuk as a way to enrich catechism lessons, share the Faith, and to help encourage John Nepomuk's official canonization. 
     
    Devotional Painting by Nicolas Enriquez; New Spain, 1776
    Note the four Jesuits with St. John Nepomuk:
    St. Ignatius, St. Francis Xavier,
    St. Aloysius Gonzaga, and St. Stanislaus Kostka.

    Bandera Natural History and Art Museum—New Spain Art Hall


    St. John Nepomuk is the patron saint of:
    Priests Hearing Confessions
    Catholics Going to Confession
    The Seal of the Confessional
    Victims of Slander
    Floods and Drowning
    Times of Conflict Between Church and State

    The Feast of St. John Nepomuk is March 20.

    ~   ~   ~

    More Examples of St. John Nepomuk Portrayed in Colonial Spain Art:
    St. John Nepomuk
    San Antonio Museum of Art—Latin America Art Gallery

    *Note the angel with his finger to his lips—this symbolizes
    John Nepomuk's refusal to break the Seal of Confession. 

    →St. John Nepomuk is sometimes called: St. John Nepomucene (neh-POH-moo-seen).
    →In New Spain, he was likely called: San Juan Nepomuceno (neh-poh-moo-seh-noh).

    ~     ~     ~
    About the Good King Wenceslas—The Good King Wenceslas was actually the Duke Wenceslas I—also of Bohemia, and hundreds of years earlier (907–935). He later became St. Wenceslas. You can learn his story and read the lyrics to the Christmas song written in his honor here.
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  2. Our Lady of Sorrows 
    by Juan Correa; circa 1680
    New Spain
    Bandera Natural History and Art Museum
    This Juan Correa painting catches the eye of so many at the museum. One particularly Frequently Asked Question is: 
    Why is there a sword in Mary? 
    The answer lies in a brief ... and parenthesized! ... partial-verse in the Bible. By turning to Luke's Gospel, when Mary and Joseph were Presenting Jesus at the Temple, Holy Simeon instantly knew that the infant Jesus was the promised Messiah; he then felt ready to go the the Lord. Intriguingly, tucked in with his words of astonishment, he also states:

    Simeon blessed them and said to Mary his mother, “Behold, this child is destined for the fall and rise of many in Israel, and to be a sign that will be contradicted (and you yourself a sword will pierce) so that the thoughts of many hearts may be revealed.”
    —Luke 2:34-35

    It's a metaphor. A sword didn't physically pierce Mary, however, seeing her Son go through his horrific Passion, she felt emotional pain as sharp as a sword. 

    Another detail that often makes visitors gasp for a bit: If you look closely, you can see teardrops on Mary's cheeks. They are faint, but, if noticed, significantly add to the sense of profound despair in Mary's face.


    Our Lady of Sorrows
    by Nicolas Enriquez, circa 1725
    Bandera Natural History and Art Museum
    New Spain artist, Nicolas Enriquez, also painted Our Lady of Sorrows with the sword mentioned by Holy Simeon. Although this painting is much smaller in size, and has less detail, the deep sorrow still shows.

    Speaking of The Presentation of Jesus at the Temple ...
    Two Turtledoves
    A discreet, yet foretelling detail in the Annunciation Mandate by Gregorio Joseph de Lara (c. 1745) 
    Bandera Natural History and Art Museum

    The New Spain Art Hall also holds a stunning painting of the Annunciation, where way down toward the bottom left hand corner are two little turtledoves. It is quite plausible that this artist chose to include a sign of the upcoming sacrifice of the pair of turtledoves ... several months after the Annunciation ... at the Presentation of Jesus.

    “Every male that opens the womb shall be consecrated to the Lord,” and to offer the sacrifice of “a pair of turtledoves or two young pigeons,” in accordance with the dictate in the law of the Lord.
    —Luke 2:23-24

    An Alternative Title
    If you could give a different name to "Our Lady of Sorrows" paintings, what would your title be?

    The Feast of the  Presentation is February 2.
    The Feast of Holy Simeon is February 3.
    The Feast of Our Lady of Sorrows is September 15.
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  3. Ecce Agnus Dei 

    This "Ecce Agnus Dei" (ETCH-ay AHNG-nyoos DAYbanner is a classic inclusion in windows or paintings of St. John the Baptist. Ecce Agnus Dei is Latin for: 
    Behold the Lamb of God. 

    John the Baptist spoke these words twice in the first chapter of John's Gospel as Jesus was approaching (vv.19, 36). Those with John the Baptist—Andrew and another (tradition suggests John, the Gospel Writer) seemed to understand this title for Jesus. Perhaps they immediately understood that John was connecting Jesus to the unblemished lambs sacrificed in Exodus 12. The cross carrying the banner foreshadows Jesus' Crucifixion later on in the Gospel. 


    St. John the Baptist
    by Joseph de Figueroa; 1790—Santa Fe de Bogotá, New Granada
    Bandera Natural History and Art Museum

    How John knew that Jesus would be sacrificed like a Passover lamb, is as striking as when John—in-utero recognized Jesus—in-utero; when the not-yet-born John leapt in his mother's womb as Mary with her not-yet-born Jesus approached (Luke 1:41). A New Testament Prophet and mystic, indeed!


    The Book
    This book in St. John the Baptist's hand likely symbolizes his knowledge of Old Testament scripture—especially the story of the ten plagues in Egypt—the tenth describing the sacrifice of unblemished lambs to save the Israelite families from the angel of death.


    Jesus as an Unblemished Lamb
    Willing to be sacrificed to take away the sins of the world.
    Note the face of this lamb. As "The Lamb" looks up at his cousin, John the Baptist, he seems calm, trusting, and gentle. Also consider the front bent leg of "The Lamb." It looks almost like a cross itself. The hosts at Secrets of Sacred Art helped me to brainstorm this portrayal; they reminded me that another classic Lamb of God portrayal is with a bent front leg holding a banner and/or cross. It's intriguing to consider ... did the artist decide that a second cross or banner would distract from the painting? Or did he want the bent leg to look somewhat like a cross? Or ...? 

    A Few Lamb of God with Bent Knee Comparisons:

    Once I started looking, I saw these Lamb of God images everywhere! If you have a Lamb of God depiction from your church, please e-mail it to me ... I'll add it to the collection!

    St. Stanislaus Church—Bandera, TX


    All Saints Catholic Church—St. Peters, Missouri
    Photograph by Nheyob

    Soroksár—Budapest, Hungary
    Photograph by Pasztilla aka Attila Terbócs

    San Fernando Cathedral—San Antonio, TX


    Little Flower Basilica—San Antonio, TX


    More Detail on the St. John the Baptist painting by Joseph de Figueroa (1790):
    A Star in St. John the Baptist's Halo?
    Some resources, mostly Orthodox, call St. John the Baptist a Morning Star, symbolizing how he announced the dawning of the ministry of his cousin, Jesus. It is possible that the small white mark in the center of St. John the Baptist's halo represents this Morning Star analogy.

    "... the one who is coming after me ... 
    —John 1:27

    John's eyes are worth considering too. In contrast to the trusting, gentle look of The Lamb, John the Baptist's eyes are more serious. Rather than looking at "The Lamb of God," he is gazing out. His eyes seem like those of a mystic. Pondering, meditative, absorbing. 


    Camel Skin & Red Cloak
    This portion of the picture shows edges of the camel hair garment worn by John the Baptist. The red cloak symbolizes how he was to be martyred—beheaded by order of Herod Antipas.


    Blue-ish/Gray-ish Background
    Take a moment to ponder the background of this painting. Flemish painters often painted backdrop landscapes in blues and grays. This inclusion suggests that the Colonial Spain artist, Joseph de Figueroa, may have been exposed to Flemish artistry. 


    Some Intriguing Script
    Some heady teamwork and pain-staking computer translating came up with the following translations:
    Domca. 1a. de Quarma. Inda. Plena.
    Day of the Lord 1st Sunday of Lent Plenary Indulgence

    Dominica 9a. Sabado. Indulgencia
       Day of the Lord (Sunday) 9th Saturday Indulgence 

    Plena. y se saca alma del Purgatorio.
    And retrieves the souls from Purgatory.

    Dominica de Ramos. Indulga Plenara.
    Palm Sunday Plenary Indulgence

    Juebes Indulga. Plena. Sabado Inda. Plena.
    Thursday Plenary Indulgence Saturday Plenary Indulgence

    Sabado de Pasqua. Indulga. Plena.
    Holy Saturday Plenary Indulgence

    Domingo de Espiritu Sto. Inda. Plena.
    Sunday of the Holy Spirit (Pentecost) Plenary Indulgence

    Joseph de Figueroa,
    Faciebat — He made it.
    Abril, ano de 1790. — April, 1790.


    Joseph de Figueroa's Signature


    A Piece of the Original Frame


    New Granada in Colonial Spain
    Joseph de Figueroa painted St. John the Baptist in Bogotá (then called Santa Fe de Bogotá) in New Granada in Colonial Spain—a city and region now primarily in the South American country of Columbia. 



    The Feast of the Baptism of Jesus is the official close of the Christmas season in the Catholic Church. It is a moveable feast that lands on the Sunday after Epiphany; however, if Epiphany lands on January 7 or 8, then The Feast of the Baptism of Jesus is celebrated the following Monday.

    The Feast of the Nativity of St. John the Baptist is June 24.

    The Feast of the Martyrdom of St. John the Baptist is August 29.


    "Lamb" in the Bible ...

    On the tenth of this month every family must procure for itself a lamb, one apiece for each household.
    Exodus 12:3

    Your lamb must be a year-old male and without blemish.  
    Exodus 12:5 

    They will take some of its [the lamb's] blood and apply it to the two doorposts and the lintel of the houses in which they eat it.   
    Exodus 12:7

    But for you the blood [of the lamb] will mark the houses where you are. Seeing the blood, I will pass over you.
    Exodus 12:13

    Now, this is what you shall regularly offer on the altar: two yearling lambs as the sacrifice established for each day; one lamb in the morning and the other lamb at the evening twilight ...
    Exodus 29:38-39ff 

    If a person’s burnt offering is from the flock, that is, a sheep or a goat, the offering must be a male without blemish.
    Leviticus 1:10

    Taking one of the male lambs, the priest shall present it as a reparation offering, along with the log of oil, raising them as an elevated offering before the LORD. This lamb shall be slaughtered in the sacred place where the purification offering and the burnt offering are slaughtered, because the reparation offering is like the purification offering; it belongs to the priest and is most holy.
    Leviticus 14:12-13

    When the lamb of the reparation offering has been slaughtered ...
    Leviticus 14:25

    On this day, when your sheaf is elevated, you shall offer to the LORD for a burnt offering an unblemished yearling lamb.
    Leviticus 23:12

    Samuel therefore took an unweaned lamb and offered it whole as a burnt offering to the LORD.
    1 Samuel 7:9

    Though harshly treated, he submitted and did not open his mouth; Like a lamb led to slaughter or a sheep silent before shearers, he did not open his mouth. But it was the LORD’s will to crush him with pain. By making his life as a reparation offering, he shall see his offspring, shall lengthen his days, and the LORD’s will shall be accomplished through him.
    Isaiah 53:7, 10


    The next day he [John the Baptist] saw Jesus coming toward him and said, “Behold, the Lamb of God, who takes away the sin of the world. 
    John 1:29

    The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, “Behold, the Lamb of God.
    John 1:35-36

    This was the scripture passage he was reading: “Like a sheep he was led to the slaughter, and as a lamb before its shearer is silent, so he opened not his mouth.
    Acts 8:32

    Clear out the old yeast, so that you may become a fresh batch of dough, inasmuch as you are unleavened. For our paschal lamb, Christ, has been sacrificed.
    1 Corinthians 5:7

    ... realizing that you were ransomed from your futile conduct, handed on by your ancestors, not with perishable things like silver or gold but with the precious blood of Christ as of a spotless unblemished lamb.
    1 Peter 1:18-19

    Then I saw standing in the midst of the throne and the four living creatures and the elders a Lamb that seemed to have been slain.
    Revelation 5:6

    When he took it, the four living creatures and the twenty-four elders fell down before the Lamb. 
    Revelation 5:8

    “Worthy is the Lamb that was slain to receive power and riches, wisdom and strength, 
    honor and glory and blessing.”
    Revelation 5:12

    “To the one who sits on the throne and to the Lamb be blessing and honor, glory and might, forever and ever.”
    Revelation 5:13

    Then I watched while the Lamb broke open the first of the seven seals ...
    Revelation 6:1

    When he [the Lamb] broke open the second seal ...
    Revelation 6:3

    When he [the Lamb] broke open the third seal ...
    Revelation 6:5

    When he [the Lamb] broke open the fourth seal ...
    Revelation 6:7

    When he [the Lamb] broke open the fifth seal ...
    Revelation 6:9

    Then I watched while he [the Lamb] broke open the sixth seal ...
    Revelation 6:12

    They stood before the throne and before the Lamb, wearing white robes and holding palm branches in their hands.
    Revelation 7:9

    “Salvation comes from our God, who is seated on the throne, and from the Lamb.”
    Revelation 7:10

    “These are the ones who have survived the time of great distress; they have washed their robes and made them white in the blood of the Lamb."
    Revelation 7:14

    For the Lamb who is in the center of the throne will shepherd them.
    Revelation 7:17

    When he [the Lamb] broke open the seventh seal, there was silence in heaven for about half an hour.
    Revelation 8:1

    They conquered him by the blood of the Lamb ...
    Revelation 12:11

    All the inhabitants of the earth will worship it, all whose names were not written from the foundation of the world in the book of life, which belongs to the Lamb who was slain.
    Revelation 13:8

    Then I looked and there was the Lamb standing on Mount Zion.
    Revelation 14:1

    These are the ones who follow the Lamb wherever he goes. They have been ransomed as the firstfruits of the human race for God and the Lamb.
    Revelation 14:4

    ... before the holy angels and before the Lamb ...
    Revelation 14:10

    They will fight with the Lamb, but the Lamb will conquer them, for he is Lord of lords and king of kings, and those with him are called, chosen, and faithful.
    Revelation 17:14

    Let us rejoice and be glad and give him glory. For the wedding day of the Lamb has come, his bride has made herself ready.
    Revelation 19:7

    Then the angel said to me, “Write this: Blessed are those who have been called to the wedding feast of the Lamb.”
    Revelation 19:9

    One of the seven angels who held the seven bowls filled with the seven last plagues came and said to me, “Come here. I will show you the bride, the wife of the Lamb.”
    Revelation 21:9

    I saw no temple in the city, for its temple is the Lord God almighty and the Lamb. The city had no need of sun or moon to shine on it, for the glory of God gave it light, and its lamp was the Lamb.
    Revelation 21:22-23

    Only those will enter whose names are written in the Lamb’s book of life.
    Revelation 21:27

    Then the angel showed me the river of life-giving water, sparkling like crystal, flowing from the throne of God and of the Lamb ...
    Revelation 22:1

    The throne of God and of the Lamb will be in it, and his servants will worship him.
    Revelation 22:3


    The "Lamb of God" During Mass ...

    During mass, following the Sign of Peace, we pray:
    Lamb of God, you take away
    the sins of the world, have mercy on us.
    Lamb of God, you take away
    the sins of the world, have mercy on us.
    Lamb of God, you take away
    the sins of the world, have mercy on us.

    Sometimes, you might see older people beating their chest three times during this Lamb of God prayer—an old tradition to physically show sorrow for sins and great hope in Jesus' mercy—reminiscent of the The Parable of the Pharisee and the Tax Collector (Luke 8:13).

    Right after the Lamb of God prayer, while presenting the Blessed Sacrament to all, the priest prays:
    Behold the Lamb of God,
    behold him who takes away the sins of the world.
    Blessed are those called to the supper of the Lamb.

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  4. I got a persistent little nudge in my heart a month or so ago. My book cover ... it was lovely ... a beautiful salmon-colored sky with lots of textured clouds representing the "Great Cloud of Witnesses." I took the photograph myself one evening while taking a walk on our ranch. The Hill Country sky was simply staggering!

    However, after seven years, a painting in my foyer started catching my attention and the prodding in my heart got stronger. And, voila! Here is my new book cover! ...

    Saints in Scripture


    The Marine Corps Guardian Angel in Our Foyer
    My Aunt Eileen Doyle painted this for my husband and me years ago while Chad was an active duty Marine Corps aviator. Aunt Eileen painted this beautiful angel using the Marine Corps colors. We were living in Alabama at the time, and since then, this Marine Corps Guardian Angel has hung in our homes in Italy, Rhode Island, California, and finally here in Texas. Although my book is about people from the Bible who have been declared as saints, and not about the Marine Corps, the image still felt like a perfect fit (there are 4+ angels in the book). The painting makes my heart smile every time I look at it ... and reminds me of Aunt Eileen.


    The Note from Aunt Eileen
    Aunt Eileen also wrote a note on the back of the frame. The writing is getting a little faded. Aunt Eileen painted this in 1994, so time did its job on the ink. Luckily, the paint on front is still brilliant!

    Dear Theresa & Chad, Seamus & Ian,
    Here is the Marine Air Corps Guardian Angel to protect you on all your travels. The frame is from our trip to Mobile for the auction at the Visitation Monastery - Enjoy.
    Love, Aunt Eileen

    I'm not sure if changing my book cover aligns with the best "branding" practices, but I made the change anyways. Calm inspiration usually wins over logic in my life.

    The Old (but also beautiful!) Cover


    Therefore, since we are surrounded by so great a cloud of witnesses, let us ... persevere in running the race ... while keeping our eyes fixed on Jesus.
    —Hebrews 12:1,2


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  5. St. Francis of Assisi Receiving the Baby Jesus
    by Cristóbal de Villalpando; New Spain, 1713
    Bandera Natural History and Art Museum

    A Treasure and a Mystery 
    This brilliant piece of art—by New Spain artist Cristóbal Villalpando—is both a treasure and a mystery. This story of Mary appearing to St. Francis and presenting the baby Jesus is not found in any of the original biographies of St. Francis. Yet, this theme seems to have been rather popular during the Baroque era of art (see the list below). Some assert the event was described by Irish Franciscan: Fr. Luke Wadding, O.F.M. (1588-1657). Although the specifics of this story are not well-documented, if you read any of the original biographies of St. Francis, the event seems quite plausible and easy to imagine, for his heart was tremendously and mystically drawn toward Christ, heaven, Mary, and the angels; and his life was surrounded by miraculous and mystical events.


    Deep Emotions
    One goal of Baroque Art was to evoke emotion. To prompt viewers to feel something. What words might you use to describe Cristóbal Villalpando's depiction of St. Francis's face?  


    Elaborate Detail 
    Another quality of Baroque Art is rich ornamentation. What elements do you see in the clothing of this angel that give this sense of extravagance? 


    Villalpando's Angels
    The angels in this painting vary in size and beauty. Why do you supposed Villalpando included these dissimilar angels?



    Cristóbal Villalpando's Signature is Quite Baroque as Well!


    Stigmata of St. Francis
    It is clear from St. Francis's hands, that he had already received his stigmata—which occurred on September 17, 1224—two years before his death.


    A Hybrid of Possible Inspiration 
    For This Stunning Villalpando Painting
    St. Bonaventure (1221–1274) wrote one of the first biographies of St. Francis sharing many inspiring events in the life of this great medieval saint. Many narratives overlap the subject of this Villalpando painting, including ...

    1) All Those Angels! Many assert that this miracle took place in a hamlet outside of Assisi called St. Mary of the Angels, within a humble chapel called Portiuncula (Little Portion)—a place St. Francis loved and strongly felt the presence of angels (How many angels can you count in the painting?!). 

    2) Mystical Ecstasies St. Bonaventure wrote how St. Francis's friars were accustomed to seeing Friar Francis in deep prayer—unaware of his surroundings, experiencing mystical rapturous states, unable to hide his powerful emotions. 

    3) The Vision of the Baby The biography also tells how when St. Francis prepared a living nativity scene in Greccio, Sir John of Greccio reported a vision of St. Francis picking up a sleeping baby from the manger, and embracing the child in his arms. 



    Other Works Showing Mary Presenting the Infant Jesus to St. Francis
    (The Baroque Era of Painting is c.1600 - c.1750)
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  6.  

    St. Stanislaus Kostka
    by Nicolas Enriquez
    New Spain, 1766

    The New Spain Art Hall in Bandera, TX holds a vast array of religious art used by missionary priests to decorate churches and teach catechism lessons to the people of Colonial Spain. Many biblical and saint themes are there to admire and ponder. Some of the primary missionaries in Colonial Spain were Jesuits, Franciscans, and Dominicans. 

    The Jesuit influence likely explains the inclusion of the Polish saint, St. Stanislaus Kostka, for he is a Jesuit whose story inspires multitudes.


    St. Stanislaus Kostka
    Patron of: Youth, Health Problems

    St. Stanislaus Kostka was born in 1550 in Rostkovo, Poland. As a child, an impressive piety and innocence was already evident in Stanislaus Kostka's demeanor. Once, as a teenager, Stanislaus Kostka became terribly sick.  He spent his time of ill health in deep prayer and received a vision from Mary who placed the baby Jesus in his arms. During the vision, Mary revealed to Stanislaus that he would recover and begin studies for the Jesuit Order.  Immediately, Stanislaus’s health improved and before long, he snuck away in the middle of the night, dressed as a poor pilgrim (to avoid an angry father and brother), and walked over 400 miles to Bavaria; and later continued on to Rome for his Jesuit studies. As a Jesuit Novice, Stanislaus’s behavior maintained a striking virtue and gentleness. Sadly, after only nine months, Stanislaus became sick once again, and it was clear to him that death was near. It was August, 1568, and the 17 year old Jesuit prayed that his death would take place on the feast of Mary’s Assumption.  Early in the morning of August 15—the Feast of the Assumption—The young Stanislaus died.  Stanislaus Kostka was canonized in 1726—and was depicted within this devotional painting by Nicolas Enriquez 40 years later.   


    St. Stanislaus Kostka with Three More Jesuits Hovering About Mary
    By expanding the painting a bit, you can see a total of four Jesuit saints semi-circling Mary. Left to right, you can find: St. Ignatius of Loyola with the Jesuit IHS banner, St. Aloysius (St. Luigi) Gonzaga with a cross and lilies, St. Stanislaus Kostka with the baby Jesus, and St. Francis Xavier with the pilgrim staff and cloak.


    Sacred Heart Inspiration
    At the top of this painting are three hearts. The one on the left with the lilies and sword represent Mary (see Lk. 2:35), the middle heart represents the Sacred Heart of Jesus, and the heart on the right denotes St. Joseph. The Holy Family through hearts! This inclusion is likely a nod to the Jesuit promotion of the devotion to the Sacred Heart of Jesus.

    Devotional Painting 
    (A "Sacra Conversazione" Painting)
    by Nicolas Enriquez; New Spain, 1766
    Bandera Natural History and Art Museum
    The entire Nicolas Enriquez painting shows a variety of saints; ten in all. The Jesuit influence is clear. Four out of the ten saints are Jesuits! 

    A Comparison of St. Stanislaus Kostka Artworks
    The image on the left is the Nicolas Enriquez oil on canvas painting; the stained glass window on the right is also of St. Stanislaus Kostka and can be found at St. Stanislaus (of Kraków) Catholic Church, also in Bandera, TX. Which depiction of St. Stanislaus Kostka presentation do you prefer?


    The Feast of St. Stanislaus Kostka is November 13.

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  7.  

    St. Margaret Mary Alacoque
    With A Jesuit-Influenced Sacred Heart
    Bandera Natural History and Art Museum

    St. Margaret Mary Alacoque was known for her visions of the Sacred Heart of Jesus—a reminder of Jesus' deep, profound, and burning love for all humankind.

    Sacred Hearts With IHS Inscriptions?
    In the Colonial Spain art depiction of St. Margaret Mary Alacoque above, you might notice that the Sacred Heart she is holding has the classic Jesuit emblem of the IHS Christogram inscribed within. Actually, if you were to look closely at the whole painting (see below), you would find several IHS Sacred Hearts on the chests of several figures. 

    The Jesuit Connection to the Sacred Heart of Jesus
    At the age of 24, Margaret became a Visitation nun in a city in eastern France: Paray-le-Monial. While a young nun, she had a number of visions of the Sacred Heart of Jesus. She suffered a time of difficult trial and isolation, for few believed in her visions. 

         1675—A Jesuit priest, Fr. Claude La Colombière, SJ (Society of Jesus—the formal name of the Jesuit Order) was assigned to Paray-le-Monial, France, heard of Sr. Margaret Mary's visions, spoke with her, and found her to be very credible. Through Fr. Claude La Colombière's influence, the devotion to the Sacred Heart of Jesus began to grow.  

         1690—Sr. Margaret Mary passed away (Fr. Claude La Colombière had passed away 8 years earlier in 1682) and the Jesuits continued to encourage devotion to the Sacred Heart of Jesus. 

         1600s—New Spain artist, Ignacio Berven painted "Allegory of the Eucharist" (below) in New Galicia (regions surrounding modern Guadalajara) with many thought-provoking Jesuit-influenced Sacred Heart images. 

         1765—Pope Clement XIII—who had been educated by Jesuits and was a great supporter of the order—formally approved the devotion to the Sacred Heart of Jesus.

         1856—The devotion to the Sacred Heart of Jesus was fully accepted by the Catholic Church under Pope Pius IX, who also entrusted its advocacy to the Jesuits—who heartedly accepted this charge and expanded their efforts to spread the devotion.

         1872—The Jesuit Superior General, Fr. Peter Jan Beckx, consecrated the Jesuit Order to the Sacred Heart of Jesus. 

    Sacred Heart Art in New Spain
    Jesuits were prominent missionaries in Colonial Spain. The story of St. Margaret Mary's visions were relatively new during this era, and the Jesuit missionaries very likely felt a strong inspiration to teach the devotion during their time as missionaries. It's easy to imagine that they enthusiastically commissioned artwork with the Jesuit emblem of IHS woven into some Sacred Heart illustrations—as a way to underscore the Jesuit promotion of the devotion. (Do note the painting below! Expand the image, if desired!)   
    The Allegory of the Eucharist
    by Ignacio Berven; 1600s; New Galicia

    Please Note St. Margaret Mary Alacoque in the Bottom Left Corner.
    Also note the two Jesuits in the bottom row line-up: St. Francis Xavier & St. Aloysius Gonzaga flanking the Nativity scene.


    Can you find the following 9 Sacred Heart images in the Ignacio Berven painting above? Some have the Jesuit IHS within the heart, some are simply flaming hearts:









    A Possible Significance of the Number Nine
    It is plausible to consider that the artist, Ignacio Berven (consider his first name: Ignacio ... perhaps he was named after the founder of the Jesuit Order: St. Ignatius of Loyola!) chose to include nine small Sacred Hearts into this painting due to the "Nine First Fridays Devotion" to the Sacred Heart of Jesus.

       The Nine First Fridays Devotion
    1. Attend Mass & receive Communion—on the first Friday of the month, for nine consecutive months
    2. Offer special prayers for the renewal of the hearts of sinners on each of these Fridays. 
    3. Go to Confession if needed. (Some sources enforce a strict Confession rule for nine months in a row; others are less pressing.)

    What detail catches your attention in 
    this New Spain Ignacio Berven Painting? 


    The Feast of St. Margaret Mary Alacoque is October 16.
    The Feast of the Sacred Heart of Jesus is 19 days after Pentecost Sunday.


    Society of Jesus "Jesuit" Emblem (1586)



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  8. St. Vincent de Paul
    Chapelle Saint-Vincent-de-Paul; Paris, France
    My husband and I spent an amazing month in France last September/October. Because Chad is a St. Vincent de Paul Society member at our church, we decided to visit the Chapel of St. Vincent de Paul in Paris. We both looked forward to getting to know this great saint better through the visit ... and through the stained glass windows illustrating highlights of his life. The windows in the chapel are displayed below. They are presented in the order that they are arranged in the chapel (not in strict chronological order). Some of the windows were pretty tricky to identify. But, I found one St. Vincent de Paul story that seemed to match each frame nicely. 



    Chapelle Saint-Vincent-de-Paul
    95 Rue de Sèvres
    75006 Paris, France
    www.cmission.fr



    Window #1
    A Promising Farm Boy
    Although a poor farm boy, young Vincent de Paul's parents made large financial sacrifices so he could attend school. He was known in his hometown of Pouy (now Saint-Vincent-de-Paul) as a very bright boy. His house name was "Ranquines" (RON-keen), which in the regional Gascon dialect means, "the farm of the lame.“ Evidence from St. Vincent de Paul's writings indicate that his father indeed had some sort of a physical disability.  

    “I remember when I was a young boy my father took me to town ( Dax ). Because he was poorly dressed and lame, I was ashamed to accompany him and that one could think that he was my father.” 
    (From a speech addressed to colleagues in 1659.)




    Window #2
    A Slave in Tunisia; 1605-1607
    24-26 years old
    After his schooling and ordination, St. Vincent de Paul had cause to travel from the port of Marseilles on a ship. The ship was captured by pirates, and Fr. Vincent was sold into slavery in Tunisia. His slaveholder was a former Franciscan who had previously been sold into slavery, but bought his freedom by converting to Islam. One of his wives befriended Vincent and, learning about Catholicism, admonished her husband for having left his Faith. The former Franciscan became remorseful and made arrangements for himself and Vincent to escape back to France. 



    Window #3
    The Daughters of Charity & St. Louise de Marillac
    It was years of reacclimating and additional trials for Fr. Vincent when he returned to France. After some time, he was assigned a poor rural parish in Châtillon-les-Dombes (now Châtillon-sur-Chalaronne). While there, Fr. Vincent felt inspired to organize a group of wealthy ladies (later known as Ladies of Charity) to assist poor families of the parish. Later, young women wanted to help in this mission. St. Louise de Marillac (top left, in black headpiece) assisted St. Vincent de Paul with this group of young, unmarried women. They did not create a new order right away, because nuns were required to live in cloistered monasteries at the time; St. Vincent de Paul wanted them to be free to serve the poor. A group of random priests had also started assisting St. Vincent de Paul with his work for the destitute. 



    Window #4
    Inspiring Generosity
    St. Vincent de Paul wrote leaflets explaining the deeds of the Daughters of Charity and his comrade priests. Many people were inspired by his works and were very generous to the cause. Fr. Vincent de Paul was often affectionately called: Le Bon Monsieur Vincent.



    Window #5
    Weekly Conferences
    St. Vincent de Paul recognized the need for better preparation and continuing education for priests, and the Daughters of Charity, so conducted weekly conferences; teaching, encouraging, and guiding. St. Vincent de Paul urged all of his followers to teach the tenets of the Faith in addition to serving the material needs of the impoverished. He felt strongly that Christian teaching was of equal importance to helping the destitute improve their circumstances.



    Window #6
    Mission Retreats at St. Lazare
    50+ Years Old
    There were no proper seminaries at the time, and many priests had become rather lax. Fr. Vincent started giving two-week-long retreats to encourage, advise, and give hope to aspiring priests. The Archbishop of Paris, impressed with the Mission Retreats, ordered that all men hoping to become priests would attend one of these retreats at St. Lazare* given by Fr. Vincent de Paul. The noble-looking couple in the window might represent a wealthy couple who paid for much of the retreat expenses, or Queen Anne and King Louis XIII who also gave financial support. 
    *"St. Lazare" is the informal name of what became the motherhouse of the Vincentians; the site was once a former leper hospital called St. Lazare; after that, it was an Augustinian Priory with the same name; it later became the headquarters of the priests working with Fr. Vincent de Paul.



    Window #7
    Refuting Jansenism
    Jansenism was an heresy of the era. At first, Fr. Vincent was impressed with the theories of Jansenism, but as he came to understand its principles further, he realized that it undermined the true Catholic Faith. St. Vincent de Paul then strove to expose the many errors of Jansenism; it had rigid and debilitating assertions, and instructed that most people were unworthy to receive Communion. St. Vincent de Paul did not approve of the fear-laced teachings; he strove to offer comfort to the needy of France, but more importantly, he hoped to lead people to God—without fear.



    Window #8
    The Congregation of the Mission Recognized by Pope Urban VIII
    1632; 51 Years Old
    St. Vincent de Paul’s good friend, Madame di Gondi, had encouraged Vincent to start a new order of priests. She deeply admired his work for the poor. St. Vincent was a bit wary of this idea, his group had simply been a number of priests working for a similar cause. By January 8, 1632, this like-thinking group of priests moved into the former Leper Hospital/Augustinian Priory of Saint-Lazare in Paris. The priests continued to assist the destitute in Paris, and in hundreds of missions in rural France. Due to the name of their headquarters in Paris, Fr. Vincent de Paul and his company of priests were often called the: "Lazaristes." In 1632, Pope Urban VIII recognized this group of priests.



    Window #9
    Decades of National Strife Strife:1618-1653
    37 Years Old - 72 Years Old
    Thirty Years War (1618-1648): One of the deadliest wars in history. Lazarist Priests and Daughters of Charity did work no one else would do. They dealt with filth, unburied bodies, pestilence (disease, plague, contagion), hunger, etc...
    The Franco-Spanish War (1635–1659): Between France and Spain; considered to be an offshoot of the Thirty Years' War. 
    The Fronde (1648-1653): A stretch of civil unrest in France.
    Plague: During the 1500s and 1600s, Paris was struck with a plague about every three years. 
    Cardinals Richelieu & Mazarin: St. Vincent de Paul asked “Cardinals” Richelieu and Mazarin to empathize with the poor; they ignored Le Bon Monsieur and disregarded the unfortunate and downtrodden of France.



    Window #10
    Foreign Missions; 1631
    50 Years Old
    Before the priests of St. Lazare were fully recognized as a group, Fr. Vincent began to answer requests for missionary Lazariste priests. Foreign missions were established in Madagascar, Tunisia, Italy, Corsica, Poland, Scotland, Ireland. Congregation of the Mission priests arrived in the U.S. in 1818 in Perryville, MO.



    Window #11
    Council of Conscience; c. 1643
    About 62 Years Old   
    Queen Anne of Austria became Queen Regent for her four-year-old son (later to be known as King Louis XIV [the one who built Versailles]) when her husband, King Louis XIII, died in 1643. At this time, the Queen felt a need for advisors and established the Council of Conscience. Because of her deep admiration for Fr. Vincent de Paul, she invited/ordered him to be a member on the council. This was very difficult for Fr. Vincent. He did not like politics, and the self-serving Cardinal Mazarin was also on the council. The council meetings took place at the Louvre, which was then the Royal Palace. Rather than dressing elegantly for the Council of Conscience meetings—like others on the council, Le Bon Monsieur wore his every-day, worn-out cassock.



    Window #12
    Visiting King Louis XIII on his Deathbed; 1643
    62 Years Old 
    King Louis XIII of France asked for St. Vincent de Paul as he approached death; he could've called for the Archbishop of Paris, but preferred the humble and gentle Fr. Vincent de Paul. Le Bon Monsieur stayed with King Louis XIII for three days; on the third day (May 15), the king passed away. Queen Anne went from being Queen consort of France to Queen Regent, as the mother of the young Louis-Dieudonné (later-to-be known as King Louis XIV), and his younger brother, Philippe (note the two children in the window).



    Window #13
    Galley Chaplain; 1619
    38 Years Old
    In 1619, Louis XIII appointed Vincent de Paul “Royal Chaplain of the Galleys of France.” With enthusiasm, Fr. Vincent went to various port towns, attempting to bring comfort and hope to the despondent galley rowers. The galley rowers would often be slaves trying to earn their freedom, prisoners of war, Muslims, or convicts. Their living and work conditions were deplorable. They were frightened, sad, and hopeless. There was a high suicide rate among these galley rowers. Fr. Vincent strove to ease their spiritual, emotional, and physical pain.



    Window #14
    A Painful Leg
    In the later years of St. Vincent’s life, he had many problems with his leg; it had became swollen and inflamed. There are two theories for this:
    1) One story asserts that he took the place of a particularly despondent galley rower for a few months and the tether cut too deeply into his leg for too long. This version is depicted in the window above—you can see the galley rower thanking Fr. Vincent for rescuing him from the cruel sentence.  
    2) Another theory suggests that when Fr. Vincent was captured by pirates as a young priest (see Window #2), he was shot in the leg with an arrow and this injury became worse as he aged.



    Window #15
    St. Vincent de Paul, St. Francis de Sales,
    St. Louise de Marillac, and St. Jane de Chantel(?) 
    These four saints had all come to know each other in various ways. St. Vincent de Paul was friends with St. Francis de Sales and became the Spiritual advisor to St. Janes de Chantal and the Visitation Nuns—the order founded by St. Francis de Sales and St. Jane de Chantel (possibly the standing nun). St. Louise de Marillac (the woman in widow attire, kneeling) became like a mother-figure to the young Daughters of Charity. An impressive cluster of great saints! The young lady in the background is a mystery; perhaps a future Visitation Nun, or Daughter of Charity?



    Window #16
    St. Vincent de Paul and the Eucharist
    This window is a little tricky. The glowing orbs have been hard to identify. However, because St. Vincent de Paul is facing the altar in a pose of prayer or adoration, this window might be expressing his great love for the Eucharist. He liked stepping into churches he would happen upon; he would then often fall to his knees before the tabernacle. Fr. Vincent de Paul liked to take long pauses before the tabernacle before saying mass. He often even read his mail in front of the blessed sacrament! One way he opposed the Jansenism heresy was by encouraging frequent holy communion:  

    Do you not feel, my brothers, do you not feel this divine fire burning in your chest, when you receive the adorable Body of Jesus Christ in communion?  
    ~St. Vincent de Paul

    Do you think you would be more capable of drawing close to God by moving away from, rather than by approaching Him? Oh! certainly, that is an illusion!  
    ~St. Vincent de Paul




    Window #17
    The Foundlings of Paris; 1638
    57 Years Old    
    One day, Fr. Vincent happened upon a beggar injuring a baby, presumably to elicit more pity. Horrified, Fr. Vincent took the baby away and carried it to “La Couche St. Landry”an institution for orphans. He was again horrified! Fr. Vincent was appalled at the living conditions; it was overcrowded, dirty, babies were underfed, some were drugged, many were carelessly sold. Le Bon Monsieur got the Ladies of Charity involved, and along with the Daughters of Charity, they founded a house and rescued as many orphans from the pitiful La Couche as possible. 



    Window #18
    A Return to Paris; 1649
    68 Years Old
    A civil dispute within France called the Fronde War ravaged Paris. Queen Anne fled in fear to the countryside, leaving the frightening chaos behind. St. Vincent de Paul went to see her, to try to convince her to return to Paris and encourage her people. While he was gone, angry rumors flew that Fr. Vincent had also fled, abandoning the Parisians. He was warned not to return, so he spent months traveling about, checking in on his various confraternities in the rural areas of France. This time took a great toll on his health; his food was unpredictable and frequently inadequate, his sleeping conditions were haphazard—sometimes primitive, and the weather was often bitter. When the rebellion died down, Queen Anne returned to Paris, and a Lady of Charity sent a carriage to bring St. Vincent de Paul safely home. The Parisians recognized how the Lazaristes/Vincentians were the only ones in Paris to have offered kind help during the crisis. Their hearts softened towards Le Bon Monsieur and they were joyous to have him back in Paris and at St. Lazare.



    Window #19
    Congregation of the Mission Rules; 1655, 1658
    74 & 77 Years Old
    In September, 1655, rules were adopted for the Congregation of the Mission Priests (a.k.a. Lazaristes; a.k.a. Vincentians). The primary focus of the rules was to assist the poor, offer them spiritual edification, prepare quality training for clergy, and participate in foreign missions. In the Spring of 1658, printed copies of the rule were distributed to the Congregation. All Mission Priests returned to Saint-Lazare in Paris for the event. The official name of their newfound order was: Congregation of the Mission.



    Window #20
    Rules for the Daughters of Charity; 1655
    St. Vincent de Paul - 74 Years Old 
    St. Louise de Marillac - 64 Years Old     
    In 1655, permission was granted for a formula of vows for the Daughters of Charity. They would take yearly vows, for there was a fear that perpetual vows might press the order into a cloister arrangement. The vows would be taken each year on the Feast of the AnnunciationMarch 25. Prayer & religious instruction were emphasized with the Daughters of Charity. As portrayed in the window, Louise de Marillac took vows, but did not dress like the daughters; she continued to wear widow attire. Louise would die five years later in 1660 at the age of 68.   



    Window #21
    The Last Weeks of St. Vincent de Paul’s Life; 1660
    79 Years Old  
    Fr. Vincent was very tired and worn, barely able to move during the last days of his life. Some of the Lazaristes (Congregation of the Mission Priests) carried him on his chair into a room adjoining the chapel at Saint-Lazare so he could hear mass. In March of 1660, his dear friend, Louise de Marillac died, however, Fr. Vincent de Paul had been too ill to visit her. 



    Window #22
    The Death of St. Vincent de Paul; September 27, 1660
    79 Years Old
    Le Bon Monsieur peacefully passed away early on the morning of September 27, 1660. Crowds began to arrive at St. Lazare to pay honor to their beloved Fr. Vincent. The good Fr. Vincent de Paul was beatified by Pope Benedict XIII in 1729. He was later canonized by Pope Clement XII in 1737. 



    Window #23
    Procession of St. Vincent de Paul's Relics
     to 95 Rue de Sevres, Paris; 1830
       
    1660 - The death of Le Bon Monsieur (St. Vincent de Paul).
    1737 - St. Vincent de Paul was canonized.
    1789-1799 – French Revolution; St. Vincent de Paul’s relics were hidden; St. Lazare was destroyed. 
    1830 - April 25, the relics of St. Vincent de Paul were transferred to the new chapel at the new Motherhouse of the Lazaristes at 95 Rue de Sevres, Paris; tens of thousands of people attended; the young Sr. Catherine Labouré was in attendance.
    The relics/bones of St. Vincent de Paul are encased in a wax figure in a glass reliquary.
    The cross in his wax hand was the one used for Extreme Unction for King Louis XIII.
    The heart of St. Vincent de Paul is kept at the Miraculous Medal Chapel.



    Window #24
    The Apotheosis of Saint Vincent de Paul
    Let us allow God to act; He brings things to completion when we least expect it.
    ~St. Vincent de Paul




    Window from Chapelle Saint-Vincent-de-Paul
    (a.k.a. Chapelle des Lazaristes)


     

    Chapelle Saint-Vincent-de-Paul
    95 Rue de Sèvres, 75006 Paris, France



    The Reliquary of St. Vincent de Paul
    Chapelle Saint-Vincent-de-Paul




    Chapel of St. Vincent de Paul (left)
    Motherhouse of the Lazaristes (right)
    Reservations for Pilgrimages



    St. Vincent de Paul
    Chapelle Saint-Vincent-de-Paul; Paris, France





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  9. I enjoy giving "tours" (often just walking around with people discussing things 😇) at my beautiful parish, and at our stunning local art museum. One question that pops up now and then is:

    Why is Mary wearing a crown?

    The answer is fairly simple! If you scan through 1 & 2 Kings, you'll notice that it is the mothers of the Kings of Judah who are typically named within the introduction of each king (see the chart below). The Hebrew people of the Old Testament honored the mother of the king as their queen. Not the wife. So, when the early Christians accepted Jesus as their Christ, their Messiah, their King, it likely made perfect sense to them that his mother, Mary would be Queen. This idea stems way back into the early centuries of Christendom, and it stuck. It felt natural and normal; a no-brainer!

    The "Queenship of Mary" was a widely appreciated and accepted title over the many centuries, so in 1954, Pope Pius XII honored this Marian title with a Feast Day. Initially it was placed on May 31, but was later moved to August 22.   

    The Full Paintings:


    The Immaculate Conception
    Unknown Artist
    New Spain; 1700s
    Bandera Natural History And Art Museum


    The Divine Shepherdess
    by Pedro de Roxas
    New Spain; 1700s
    Bandera Natural History And Art Museum



    The Feast of the Queenship of Mary is August 22.


    The Kings of Judah & Their Queen Mothers
    KINGS OF JUDAH
    QUEEN MOTHERS
    SCRIPTURE
    SAUL
    c. 1043-1010
    ?
    DAVID
    c. 1010-970
    ?
    SOLOMON
    c. 970-931
    Bathsheba

    Rehoboam 
    930-913

    Naamah

    Abijam/Abijah
    913-911

    Maacah

    Asa
    911-870

    Maacah
    (Grandmother)

    Jehoshaphat
    870-848

    Azubah


    Joram/Jehoram
    848-841

    ?

    Ahaziah
    841

    Athaliah

    Queen Athaliah
    841-835

    ?

    Joash/Jehoash
    835-796

    Zibiah

    Amaziah
    796-781

    Jehoaddin

    Azariah/Uzziah
    781-740

    Jecholiah

    Jotham
    740-736

    Jerushah

    Ahaz
    736-716

    ?

    Hezekiah
    716-687

    Abi/Abijah

    Manasseh
    697-642

    Hephzibah

    Amon
    642-640

    Meshullemeth

    Josiah
    640-609

    Jedidah

    Jehoahaz
    609

    Hamutal
    Jehoiakim
     609-598
    Zebidah

    Jehoiachin/Jechoniah
    598-597

    Nehushta

    Zedekiah 
    597-586

    Hamutal


    The Early Church Fathers on the Queenship of Mary

    St. Ephrem (306-373) says of Mary:   “...girl, empress and ruler, queen, lady, protect and keep me in your arms lest Satan who causes evil exult against me, lest my wicked foe be glorified against me."

    St. Gregory Nazianzen (329-390) calls her "the Mother of the King of the entire universe" as well as "Virgin Mother who brought forth the King of the entire world."

    St. Germanus (378-448) says to her : "Be seated, Lady, for it is fitting that you should sit in a high place since you are a Queen and glorious above all kings."

    St. Peter Chrysologus (380-450) says "The Hebrew name ‘Mary’ means ‘Domina’ [Lady] in Latin. The Angel therefore calls her Lady so that the Mother of the Lord, whom the authority of her Son made and caused to be born and to be called the Lady, might be without servile fear."

    St. Ildephonsus of Toledo (607-667) proclaims "O my Lady, my Ruler, Thou who governs me, Mother of my Lord...Lady among the handmaidens, Queen among sisters."

    St Andrew of Crete (650-726) tells us "His ever-virgin Mother, from whose womb He, being God, took on human form, He today transports from earthly dwellings as Queen of the human race."  Also: "the Queen of the entire human race faithful in reality to the meaning of her name, who is exalted above all things save only God himself."

    St. John Damascene (675-749) calls her: "Queen, ruler, and lady"

    An Anonymous Eastern Father calls her "the perpetual Queen beside the King, her Son...whose glorious head is crowned with a golden diadem."

    Throughout his lifetime, Martin Luther referred to Mary as the "Queen of Heaven."

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  10. It's tricky for many to determine what this piece of vegetation is. It's only a small part of the full painting, but it's quite noticeable. Surely there must be some sort of significance! Pear and fig seem to be the two most popular suggestions. After a bit of processing and studying, I've decided that I'm on "Team Fig."  

    A fairly basic study of pears shows that they don't stand up on end very easily, and their leaves tend to have pointy tips. A fig, however can grow upwards, and their leaves tend to have rounder ends. Also, figs are mentioned MANY times in the Bible (see the list below!). And pears? I can't find a single verse on pears. 
     
    It is St. Anne, the grandmother of Jesus and the mother of Mary, who is holding this fig; her husband, St. Joachim is looking on from behind. The Child Jesus to the side seems to be reaching for the fig. Just what does this mean? Why is the Child Jesus reaching for the fig that's being held by His grandmother? Is it just a cute grandmother-grandchild interaction? Or is there a deeper meaning?

    It is widely believed that figs symbolize the people of Israel. Is it possible that the Child Jesus, reaching for the fig, is symbolically reaching out for His people, the people of Israel? Is he hoping to connect with them? To teach them? To save them? To let them know that their Messiah has arrived? To bring them closer to God?

    Or, does this painting show a bridge between the Old Testamentrepresented by Sts. Anne and Joachim, and the New Testament—represented by Jesus, Mary, and Joseph? The arms and hands of Jesus reaching over toward the fig are perhaps a connector joining the New Testament era to the Old Testament era.

    What would you call this piece of fruit? And what message comes to your heart when you look at this scene?

    The Full Painting: 
    The Holy Trinity: Father, Son, and Holy Spirit [dove]
    The Holy Family: Jesus, Mary, and Joseph
    The Parents of Mary: St. Anne & St. Joachim 
    The Holy Family and the Parents of Mary: St. Anne & St. Joachim
    by Andres Zuñiga
    New Spain; circa 1721
    Bandera Natural History And Art Museum



    A Captivating Additional Detail—On the bottom corner of St. Anne's gold-ish garment is a curious portrait of a woman. This lady is believed to have been the patron of this Andres Zuñiga painting.

    The Baroque/Ornate Signature of the Artist:
    Andres Zuñiga



    Fig References in the Bible
    Figs are often considered to be a symbol of the People of Israel. 
    The Fig Tree is a symbol of Messianic Peace (John 1:47-50).

    OLD TESTAMENT

    Genesis 3:7
    Then the eyes of both of them were opened, and they knew that they were naked; so they sewed fig leaves together and made loincloths for themselves.

    Numbers 13:23
    They also reached the Wadi Eshcol, where they cut down a branch with a single cluster of grapes on it, which two of them carried on a pole, as well as some pomegranates and figs.

    Deuteronomy 8:7-9
    For the LORD, your God, is bringing you into a good country, a land with streams of water, with springs and fountains welling up in the hills and valleys, a land of wheat and barley, of vines and fig trees and pomegranates, of olive trees and of honey, a land where you will always have bread and where you will lack nothing, a land whose stones contain iron and in whose hills you can mine copper.

    1 Samuel 25:18
    Abigail quickly got together two hundred loaves, two skins of wine, five dressed sheep, five seahs of roasted grain, a hundred cakes of pressed raisins, and two hundred cakes of pressed figs, and loaded them on donkeys.

    1 Samuel 30:12
    … they also offered a cake of pressed figs and two cakes of pressed raisins. When he had eaten, he revived, for he [David] had not taken food nor drunk water for three days and three nights.

    1 Kings 5:5 (4:25)
    Thus Judah and Israel lived in security, everyone under their own vine and fig tree from Dan to Beer-sheba, as long as Solomon lived.

    2 Kings 18:31
    Do not listen to Hezekiah, for thus says the king of Assyria: Make peace with me, and surrender to me! Eat, each of you, from your vine, each from your own fig tree. Drink water, each from your own well …

    1 Chronicles 12:41
    Moreover, their neighbors from as far as Issachar, Zebulun, and Naphtali came bringing food on donkeys, camels, mules, and oxen—provisions in great quantity of meal, pressed figs, raisins, wine, oil, oxen, and sheep. For there was rejoicing in Israel.

    Judges 9:10-11
    Then the trees said to the fig tree, ‘Come; you reign over us!’ But the fig tree answered them, Must I give up my sweetness and my sweet fruit, and go off to hold sway over the trees?’

    1 Maccabees 14:12
    Every one sat under his vine and fig tree, with no one to disturb them.

    Psalm 105:33
    He struck down their vines and fig trees, shattered the trees of their country.

    Proverbs 27:18
    Those who tend a fig tree eat its fruit; 
    so those attentive to their master will be honored.

    Song of Songs 2:13
    The fig tree puts forth its figs, and the vines, in bloom, give forth fragrance.
    Arise, my friend, my beautiful one, and come!

    Isaiah 34:4
    All the host of heaven shall rot; the heavens shall be rolled up like a scroll. All their host shall wither away, as the leaf wilts on the vine, or as the fig withers on the tree.

    Jeremiah 5:17a
    They will devour your harvest and your bread, devour your sons and your daughters, Devour your sheep and cattle, devour your vines and fig trees …

    Jeremiah 8:13
    I will gather them all in—oracle of the LORD: no grapes on the vine, No figs on the fig trees, foliage withered! Whatever I have given them is gone.

    Jeremiah 24 ~ The Two Baskets of Figs

    Jeremiah 29:17
    … thus says the LORD of hosts: I am sending against them sword, famine, and pestilence. I will make them like rotten figs, so spoiled that they cannot be eaten.

    Hosea 2:14a
    I will lay waste her vines and fig trees …

    Hosea 9:10
    Like grapes in the desert, I found Israel; Like the first fruits of the fig tree, its first to ripen, I looked upon your ancestors. 

    Joel 1:7
    It has stripped bare my vines, splintered my fig tree, Shearing off its bark and throwing it away, until its branches turn white.

    Joel 1:12
    The vine has dried up, the fig tree has withered; The pomegranate, even the date palm and the apple—every tree in the field has dried up. Joy itself has dried up among the people.

    Joel 2:22
    Do not fear, you animals in the wild, for the wilderness pastures sprout green grass. The trees bear fruit, the fig tree and the vine produce their harvest.

    Amos 4:9
    I struck you with blight and mildew; locusts devoured your gardens and vineyards, the caterpillar consumed your fig trees and olive trees; Yet you did not return to me—oracle of the LORD.

    Micah 4:4
    They shall all sit under their own vines, under their own fig trees, undisturbed; for the LORD of hosts has spoken.

    Nahum 3:12
    But all your fortresses are fig trees, bearing early figs; When shaken, they fall into the devourer’s mouth.

    Haggai 2:19
    Is there still seed in the storehouse? Have the vine, the fig, the pomegranate, and the olive tree still not borne fruit? From this day, I will bless you.

    Zechariah 3:10
    On that day—oracle of the LORD of hosts—you will invite one another under your vines and fig trees.


    NEW TESTAMENT

    Matthew 21:18-22
    The Cursing of the Fig Tree
    When he was going back to the city in the morning, he was hungry. Seeing a fig tree by the road, he went over to it, but found nothing on it except leaves. And he said to it, “May no fruit ever come from you again.” And immediately the fig tree withered. When the disciples saw this, they were amazed and said, “How was it that the fig tree withered immediately?” Jesus said to them in reply, Amen, I say to you, if you have faith and do not waver, not only will you do what has been done to the fig tree, but even if you say to this mountain, ‘Be lifted up and thrown into the sea,’ it will be done. Whatever you ask for in prayer with faith, you will receive.”

    Matthew 24:32-35
    The Lesson of the Fig Tree
    “Learn a lesson from the fig tree. When its branch becomes tender and sprouts leaves, you know that summer is near. In the same way, when you see all these things, know that he is near, at the gates. Amen, I say to you, this generation will not pass away until all these things have taken place. Heaven and earth will pass away, but my words will not pass away.

    Mark 11:12-25
    Jesus Curses a Fig Tree
    The next day as they were leaving Bethany he was hungry. Seeing from a distance a fig tree in leaf, he went over to see if he could find anything on it. When he reached it he found nothing but leaves; it was not the time for figs. And he said to it in reply, “May no one ever eat of your fruit again!” And his disciples heard it.
    *Plausibly a connector between the fig tree as the Old Testament symbol for the Israelites, and judgment on those Israelites/Judeans who ignored the teachings of Christ. 

    Mark 13:28-31
    The Lesson of the Fig Tree
    “Learn a lesson from the fig tree. When its branch becomes tender and sprouts leaves, you know that summer is near. In the same way, when you see these things happening, know that he is near, at the gates. Amen, I say to you, this generation will not pass away until all these things have taken place. Heaven and earth will pass away, but my words will not pass away."

    Luke 13:6-9
    The Parable of the Barren Fig Tree
    And he told them this parable: “There once was a person who had a fig tree planted in his orchard, and when he came in search of fruit on it but found none, he said to the gardener, ‘For three years now I have come in search of fruit on this fig tree but have found none. [So] cut it down. Why should it exhaust the soil?’ He said to him in reply, ‘Sir, leave it for this year also, and I shall cultivate the ground around it and fertilize it; it may bear fruit in the future. If not you can cut it down.’”

    Luke 21: 29-33
    The Lesson of the Fig Tree
    He taught them a lesson. “Consider the fig tree and all the other trees.
    When their buds burst open, you see for yourselves and know that summer is now near; in the same way, when you see these things happening, know that the kingdom of God is near. Amen, I say to you, this generation will not pass away until all these things have taken place. Heaven and earth will pass away, but my words will not pass away." 

    John 1:47-50
    The Calling of Nathanael
    Jesus saw Nathanael coming toward him and said of him, “Here is a true Israelite. There is no duplicity in him.” Nathanael said to him, “How do you know me?” Jesus answered and said to him, “Before Philip called you, I saw you under the fig tree.” Nathanael answered him, “Rabbi, you are the Son of God; you are the King of Israel.” Jesus answered and said to him, “Do you believe because I told you that I saw you under the fig tree? You will see greater things than this.”
    *Some commentaries consider "under the fig tree" to be an indication of messianic peace (see: Micah 4:4 and Zechariah 3:10).

    Revelation 6:13
    The stars in the sky fell to the earth like unripe figs shaken loose from the tree in a strong wind.


    The Feast of Sts. Anna & Joachim is July 26

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Hello! I am Theresa Doyle-Nelson … the wife of a really good man, Chad Nelson. After years as an active duty Marine Corps family, we are now settled in the beautiful Texas Hill Country. We have three wonderful sons, three lovely daughters-in-law, and six adorable grandchildren! I love to explore my faith through writing—I have written for several Catholic publications and authored a book entitled, "Saints in Scripture." I also have an Etsy Shop called "Saints of the Bible" (etsy.com/shop/SaintsOfTheBible). It has an artistic collection of mini Bible Studies and Biblical Novenas on various Saints from Scripture.
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