Many Catholics are familiar with the image of Saint Thérèse of Lisieux dressed in her Carmelite habit, holding a crucifix mixed in with some roses.  A while back, I happened across a different image of Saint Thése ― one I had never seen before.  Instead of holding a crucifix and roses, the young Carmelite nun was holding a book entitled, Evangile (French for “gospel”).  Recalling the many Biblical quotes and references I had noticed in Thérèse’s writings, I felt instantly drawn to the portrayal.  I’ve often wondered how someone who had died at the age of twenty-four and had lived in a time when Catholics (even nuns in convents) did not have ready access to a Bible had been able to achieve such a strong grasp of Scripture.

Thérèse Connects Scripture to Life Experiences
Thérèse’s older sister, Céline, painted the original of this image.  That Céline chose to paint her sister holding the gospels is not surprising, for Thérèse clearly had a strong love for Scripture.  The young saint was able to connect a wide variety of Bible verses to many moments in her life.  For example, while writing about her desperate illness at the age of ten, Thérèse compared her woeful situation to the story of Lazarus as told in the eleventh chapter of John.  Lazarus was deathly ill, but Jesus deliberately waited to help his friend, knowing a miracle was needed to demonstrate the glory of God. 

Thérèse wrote that her painful experience was also somehow necessary for the glorification of God.  After many days of this mysterious and debilitating illness, Thérèse turned toward a statue of Mary, begging for pity.  All of a sudden the statue became miraculously surreal in appearance.  It offered Thérèse a heavenly and motherly countenance of assurance and peace.  Thérèse was at that moment completely healed.

When Thérèse wrote of memories of her confirmation, she did so in terms of Scripture.  She compared the moment she was anointed with the Holy Spirit to what the prophet Elijah experienced at Mount Horeb, sensing God’s presence in a tiny whispering sound. (See 1 Kings 19:12-14)

Scripture and Thérèses Little Way
Thérèse favored a handful of Old Testament verses which supported her spiritual direction, including:  “Let whoever is simple turn in here.” (Proverbs 9:4, NAB) and “For the lowly may be pardoned out of mercy but the mighty shall be mightily put to the test.” (Wisdom 6:6, NAB; Wisdom 6:7, Vulgate).  Thérèse felt these verses illustrated her calling to know and understand God as purely as possible ― by having complete, childlike confidence in Him.  This style of becoming little, and simple in the eyes of God ultimately became known as her “Little Way.”

Slices of Biblical Exposure during her Childhood
Born in France in 1873, Thérèse grew up in a devout Catholic family that participated in many religious devotions:  frequent Mass attendance, morning and evening prayer, feast-day celebrations, visits to the Blessed Sacrament, and more.  In school Thérèse was a good student with a brilliant memory ― catechism and sacred history were her favorite classes.   

Thérèse was also an avid reader.  She treasured books on the saints and read Thomas à Kempis’s The Imitation of Christ many times over.  At the age of fourteen, about one year before entering the Carmelite convent, Thérèse wrote, “I was nourished for a long time on the ‘pure flour’ contained in The Imitation of Christ, this being the only book which did my any good, for as yet I had not discovered the treasures hidden in the Gospels.”  She never mentions having had a Bible at her disposal during her childhood; however, it is clear that Thérèse was exposed to portions of Scripture through her participation in Catholic devotions, her religion lessons, and her love of reading.

Biblical Exposure in the Convent
After entering the Carmelite convent, Thérèse was again intermittently exposed to segments of the Bible through a variety of sources.  She had a breviary, which contained the Psalms and a smattering of other Bible passages mixed in with hymns and devotions.  She participated in the Divine Office and other devotions that included excerpts from Scripture.  We also know that Thérèse relished a great Carmelite style of prayer called “mental prayer,” a contemplative way of praying, usually by meditating on a passage from Scripture. 

Thérèse’s spiritual sister as well as her blood sister, Céline, wrote a biography about Thérèse following her death, sharing even more insights.  Before becoming a nun herself, Céline copied large sections of the Old Testament into a notebook and gave it to Thérèse when she joined her sister in the convent.  Thérèse cherished this partial Old Testament.  The verses offered her much to ponder during mental prayer and helped her to grow closer to the Lord.  Céline also wrote that Thérèse kept a copy of the gospels with her almost constantly ― Perhaps Céline had this memory in mind when she painted Thérèse holding the gospels.

Céline described how Thérèse would often copy favorite verses onto cards, paper, or the back of pictures.  Céline also noted that Thérèse struggled with the varying translations she happened to notice.  The young saint once expressed an interest in understanding Hebrew and Greek, so as to comprehend God’s Word better.  As time went on, Thérèse could no longer enjoy the great theological works she had read so fervently earlier in her life.  The passages of Holy Scriptures to which she had access (she never had a complete Bible available to her) became her only true source of inspiration.
 Bits and Pieces Come Together
Thérèse’s understanding of the Bible seems to have come together in a mystical and mosaic-like way.  Her highly insightful enthusiasm and mysticism, blended with miscellaneous chunks of Scripture from a wide array of sources helped this young and childlike saint to develop a very impressive understanding of Scripture.

Liguorian
October, 2006
Note: A similar version of this article was printed in the October, 2006 issue of Liguorian.
The original portrait of St. Thérèse holding the Gospels is in Lisieux.  The painted copy shown above is at the John Paul II Cultural Center in Washington, D.C.


Resources:
Carmel de Lisieux, Souer Camille, Archive Office (office-central@therese-de-lisieux.com).
Clarke, John, O.C.D., ed., St. Thérèse of Lisieux: Her Last Conversations, ICS Publications, Institute of Carmelite Studies, Washington, D.C., 1977.
John Paul II Cultural Center
Martin, Céline, My Sister Saint Thérèse, Tan Books and Publishers, Inc., Rockford, Illinois, 1951/1997.
Martin, Thérèse, Story of a Soul, ICS Publications, Institute of Carmelite Studies, Washington, D.C., 1972 edition.


A Biblical Novena in Honor of the Little Way of St. Thérèse
Available at "Saints of the Bible" Etsy Shop


St. John Nepomuk (neh-poh-mook) is an intriguing saint who appears in a thought-provoking number of Colonial Spain art galleries. It is curious to wonder how this Bohemian saint showed up 200-400 years later in portraits, statues, and paintings in New Spain!

A Bit of History

Conflict with the King of Bohemia

St. John Nepomuk was born in a town called Pomuk (now Nepomuk) in Bohemia (modern Czech Republic) in 1345. He later became a priest in Bohemia and was assigned to the cathedral in Prague. This 40-something year old priest ran into some trouble with the King of Bohemia, King Wenceslas IV. King Wenceslas strove to be a devout Catholic; he would even have an illuminated Bible created: The Wenceslas Bible—close to (plausibly overlapping) the time of conflict with Fr.

This Juan Correa painting catches the eye of so many at the museum. One particularly Frequently Asked Question is: Why is there a sword in Mary? 

The answer lies in a brief ... and parenthesized! ... partial-verse in the Bible. By turning to Luke's Gospel, when Mary and Joseph were Presenting Jesus at the Temple, Holy Simeon instantly knew that the infant Jesus was the promised Messiah; he then felt ready to go the the Lord.

Ecce Agnus Dei  This "Ecce Agnus Dei" (ETCH-ay AHNG-nyoos DAY) banner is a classic inclusion in windows or paintings of St. John the Baptist. Ecce Agnus Dei is Latin for:  Behold the Lamb of God.  John the Baptist spoke these words twice in the first chapter of John's Gospel as Jesus was approaching (vv.19, 36). Those with John the Baptist—Andrew and another (tradition suggests John, the Gospel Writer) seemed to understand this title for Jesus. Perhaps they immediately understood that John was connecting Jesus to the unblemished lambs sacrificed in Exodus 12. The cross carrying the banner foreshadows Jesus' Crucifixion later on in the Gospel.  St. John the Baptist by Joseph de Figueroa; 1790—Santa Fe de Bogotá, New Granada Bandera Natural History and Art Museum How John knew that Jesus would be sacrificed like a Passover lamb, is as striking as when John—in-utero recognized Jesus—in-utero; when the not-yet-born John leapt in his mother's womb as Mary with her not-yet-born Jesus approached (Luke 1:41). A New Testament Prophet and mystic, indeed! The BookThis book in St. John the Baptist's hand likely symbolizes his knowledge of Old Testament scripture—especially the story of the ten plagues in Egypt—the tenth describing the sacrifice of unblemished lambs to save the Israelite families from the angel of death. Jesus as an Unblemished Lamb Willing to be sacrificed to take away the sins of the world.Note the face of this lamb. As "The Lamb" looks up at his cousin, John the Baptist, he seems calm, trusting, and gentle. Also consider the front bent leg of "The Lamb." It looks almost like a cross itself. The hosts at Secrets of Sacred Art helped me to brainstorm this portrayal; they reminded me that another classic Lamb of God portrayal is with a bent front leg holding a banner and/or cross. It's intriguing to consider ... did the artist decide that a second cross or banner would distract from the painting? Or did he want the bent leg to look somewhat like a cross? Or ...?  A Few Lamb of God with Bent Knee Comparisons: Once I started looking, I saw these Lamb of God images everywhere! If you have a Lamb of God depiction from your church, please e-mail it to me ... I'll add it to the collection! Bandera Natural History and Art Museum St. Stanislaus Church—Bandera, TX All Saints Catholic Church—St. Peters, Missouri Photograph by Nheyob Soroksár—Budapest, Hungary Photograph by Pasztilla aka Attila Terbócs San Fernando Cathedral—San Antonio, TX Little Flower Basilica—San Antonio, TX More Detail on the St. John the Baptist painting by Joseph de Figueroa (1790): A Star in St. John the Baptist's Halo?Some resources, mostly Orthodox, call St. John the Baptist a Morning Star, symbolizing how he announced the dawning of the ministry of his cousin, Jesus. It is possible that the small white mark in the center of St. John the Baptist's halo represents this Morning Star analogy. "... the one who is coming after me ...  —John 1:27 John's eyes are worth considering too. In contrast to the trusting, gentle look of The Lamb, John the Baptist's eyes are more serious. Rather than looking at "The Lamb of God," he is gazing out. His eyes seem like those of a mystic. Pondering, meditative, absorbing.  Camel Skin & Red CloakThis portion of the picture shows edges of the camel hair garment worn by John the Baptist. The red cloak symbolizes how he was to be martyred—beheaded by order of Herod Antipas. Blue-ish/Gray-ish BackgroundTake a moment to ponder the background of this painting. Flemish painters often painted backdrop landscapes in blues and grays. This inclusion suggests that the Colonial Spain artist, Joseph de Figueroa, may have been exposed to Flemish artistry.  Some Intriguing ScriptSome heady teamwork and pain-staking computer translating came up with the following translations: Domca. 1a. de Quarma. Inda. Plena. Day of the Lord 1st Sunday of Lent Plenary Indulgence Dominica 9a. Sabado. Indulgencia Day of the Lord (Sunday) 9th Saturday Indulgence  Plena. y se saca alma del Purgatorio. And retrieves the souls from Purgatory. Dominica de Ramos. Indulga Plenara. Palm Sunday Plenary Indulgence Juebes Indulga. Plena. Sabado Inda. Plena. Thursday Plenary Indulgence Saturday Plenary Indulgence Sabado de Pasqua. Indulga. Plena. Holy Saturday Plenary Indulgence Domingo de Espiritu Sto. Inda. Plena. Sunday of the Holy Spirit (Pentecost) Plenary Indulgence Joseph de Figueroa, Faciebat — He made it. Abril, ano de 1790. — April, 1790. Joseph de Figueroa's Signature A Piece of the Original Frame New Granada in Colonial SpainJoseph de Figueroa painted St. John the Baptist in Bogotá (then called Santa Fe de Bogotá) in New Granada in Colonial Spain—a city and region now primarily in the South American country of Columbia.  Biblical Novena to St. John the Baptist The Feast of the Baptism of Jesus is the official close of the Christmas season in the Catholic Church. It is a moveable feast that lands on the Sunday after Epiphany; however, if Epiphany lands on January 7 or 8, then The Feast of the Baptism of Jesus is celebrated the following Monday. The Feast of the Nativity of St. John the Baptist is June 24. The Feast of the Martyrdom of St. John the Baptist is August 29. "Lamb" in the Bible ...

I got a persistent little nudge in my heart a month or so ago. My book cover ... it was lovely ... a beautiful salmon-colored sky with lots of textured clouds representing the "Great Cloud of Witnesses." I took the photograph myself one evening while taking a walk on our ranch. The Hill Country sky was simply staggering!

However, after seven years, a painting in my foyer started catching my attention and the prodding in my heart got stronger. And, voila! Here is my new book cover! ...

A Treasure and a Mystery 

This brilliant piece of art—by New Spain artist Cristóbal Villalpando—is both a treasure and a mystery. This story of Mary appearing to St. Francis and presenting the baby Jesus is not found in any of the original biographies of St. Francis. Yet, this theme seems to have been rather popular during the Baroque era of art (see the list below). Some assert the event was described by Irish Franciscan: Fr. Luke Wadding, O.F.M. (1588-1657).

The New Spain Art Hall in Bandera, TX holds a vast array of religious art used by missionary priests to decorate churches and teach catechism lessons to the people of Colonial Spain. Many biblical and saint themes are there to admire and ponder. Some of the primary missionaries in Colonial Spain were Jesuits, Franciscans, and Dominicans. 

The Jesuit influence likely explains the inclusion of the Polish saint, St. Stanislaus Kostka, for he is a Jesuit whose story inspires multitudes.

St.

St. Margaret Mary Alacoque was known for her visions of the Sacred Heart of Jesus—a reminder of Jesus' deep, profound, and burning love for all humankind.

Sacred Hearts With IHS Inscriptions?

In the Colonial Spain art depiction of St. Margaret Mary Alacoque above, you might notice that the Sacred Heart she is holding has the classic Jesuit emblem of the IHS Christogram inscribed within.

My husband and I spent an amazing month in France last September/October. Because Chad is a St. Vincent de Paul Society member at our church, we decided to visit the Chapel of St. Vincent de Paul in Paris. We both looked forward to getting to know this great saint better through the visit ... and through the stained glass windows illustrating highlights of his life. The windows in the chapel are displayed below.

I enjoy giving "tours" (often just walking around with people discussing things 😇) at my beautiful parish, and at our stunning local art museum. One question that pops up now and then is:

Why is Mary wearing a crown?

The answer is fairly simple! If you scan through 1 & 2 Kings, you'll notice that it is the mothers of the Kings of Judah who are typically named within the introduction of each king (see the chart below).

It's tricky for many to determine what this piece of vegetation is. It's only a small part of the full painting, but it's quite noticeable. Surely there must be some sort of significance! Pear and fig seem to be the two most popular suggestions. After a bit of processing and studying, I've decided that I'm on "Team Fig."  

A fairly basic study of pears shows that they don't stand up on end very easily, and their leaves tend to have pointy tips.
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Hello! I am Theresa Doyle-Nelson … the wife of a really good man, Chad Nelson. After years as an active duty Marine Corps family, we are now settled in the beautiful Texas Hill Country. We have three wonderful sons, three lovely daughters-in-law, and six adorable grandchildren! I love to explore my faith through writing—I have written for several Catholic publications and authored a book entitled, "Saints in Scripture." I also have an Etsy Shop called "Saints of the Bible" (etsy.com/shop/SaintsOfTheBible). It has an artistic collection of mini Bible Studies and Biblical Novenas on various Saints from Scripture.
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